a5c7b9f00b John awakens from a coma to discover his wife and daughter were slaughtered in a brutal home invasion. Haunted by images of the attack, he vows to kill the man responsible: Luc Deveraux. While John tries to piece his reality back together, things get more complicated when he is pursued by a relentless UniSol named Magnus. Meanwhile, Deveraux and surviving UniSol Andrew Scott are preparing to battle anarchy and build a new order ruled by Unisols without government oversight. They are weeding out the weak and constantly testing their strongest warriors in brutal, life-and-death combat. Luc has emerged operating the Unisol Church of Eventualism, taking in wayward Unisols whom the government has been secretly operating as remote-controlled sleeper agents. His mission is to liberate these Unisols from the implanted memories and the lies the government has inserted in them. As John gets closer to Deveraux and the rogue army of genetically enhanced warriors, he discovers more about himself and begins to call into question everything he believed to be true. John looks to take down Luc Deveraux after a home invasion claims his wife and daughter. The fight pits John against Andrew Scott and an army of genetically enhanced warriors; meanwhile, he must contend with a UniSol in relentless pursuit. A guy named John (Scoot Adkins) sees three guys invade his home. They grab his wife and daughter and kill them right in front of him and beat him up. He ends up in a hospital in a coma. When he wakes up he keeps having flashbacks of the killings. The killer is Van Damme. A FBI agent visits him and offers to help find the killer.<br/><br/>When John leaves the hospital with no recollection of the past, he listens to a phone recording at home. A friend of him was in trouble and called him. John goes to the apartment and finds his friend dead and beaten to a pulp. He finds matches from a strip joint. He goes to the strip joint where a stripper recognizes him but so do the bouncers who kick him out. He meets up with the girl who tells him about a bit about his past, that he beat up some guy at the docks. He goes to the docks and talks to the boss who tells him he has some type of container that was to be shipped.<br/><br/>Meanwhile the FBI agent orders to activate "the plumber". And the plumber (Arlovski) stops plumbing and leaves. He goes to a whorehouse and kills everyone. Apparently he is after Lundgren who injects him with something and talks to him about being free. The next time we see Arlovski he is after John and the girl. But something ticks in John's brain and he defeats the plumber in a brutal fight. John too got injected at some point. We see Lundgren later in a cave giving a speech to a bunch of soldiers about freedom. They are part of some cult and the leader is Van Damme.<br/><br/>Next, John and the girl go to a cottage somewhere in the swamps and meet up with someone who will tell him more of what is going on. Now John goes to the cave where a dr. grabs him and drills his brain, not before giving an explanation about what really happened to his family. But John escapes and finally he goes after the killer of his family.<br/><br/>Universal Soldier: Day of Reckoning has a convoluted story and it doesn't go well about explaining it. It's not a bad story but clearly they tried to keep the audience in the dark and reveal things little by little. Unfortunately it takes too long, and this is a long movie at almost two hours. Two hours that are mostly devoid of dialogue.<br/><br/>I really enjoyed the previous entry in the Universal Soldier series and was looking forward to this one, but it turned out to be a letdown unfortunately. US-Day of Reckoning had tremendous potential- a fantastic cast, great locations in Louisiana, a somewhat interesting story that deviates a bit from what we are used to in the series. It has truly fantastic fight scenes, is brutal and gory- even in the censored version. However, what ought to be highlights- fights between Adkins and Lundgren and Adkins and Van Damme turned out to be disappointments as well. It is never clear who the bad guys are, given that everybody is talking about freedom and giving the soldiers free will. The movie is however pretty unique and different. It's trippy and well filmed. But the shortcomings are too evident to overlook- even though Adkins is great, this may not be the role for him and we're not given enough reason to like or care for John. And you're always waiting for Lundgren to show up and cause mayhem or for Van Damme to kick butt- and in both cases it just doesn't happen.<br/><br/>I think we can let Day of Reckoning be the experimental entry in the franchise, most of them do have one that where they try to do something fresh and different; here though it didn't work all that well. I hope thought that the next movie will be a return to form. Led by Luc Devereaux (Jean-Claude Van Damme) a cloned UniSol Andrew Scott (Dolph Lundgren) are now wanted by the government who will do anything to find them a wipe out their UniSol army for good.<br/><br/>Universal Soldier fans maybe left scratching their heads, however, sci- fi action fans looking for slick, stylish direction with hard hitting violence and a Philip K. Dick tone - in the vain of Impostor (2001) maybe impressed by director John Hyams offering.<br/><br/>While not a fun hammy 90s hit like it's original this is smaller personal story adds another angle on UniSol. Reckoning may have benefited from being a stand alone low budget Dredd/Memento/Bourne-like film as it's so far removed to the original's feel.<br/><br/>This is actor/stuntman Scott Adkins film with very limited screen-time for Van Damme or Lundgren which isn't such a bad thing as their characters have become dismembered to those in the first outing. Nevertheless, Adkins as John carries it under Hyams games console shoot 'em up direction. While this film may not be Adkins Jason Statham 'star vehicle' it shows he's a convincing action man with some range of emotion to match as John goes on his hunt for Devereaux in some Apocalypse Now (1979) homage of sorts. <br/><br/>With excellent camera-work, lighting, stunts, ambiguous script, perfect moody atmosphere it's not a normal action film - and with nudity, blood and horror like gore it's not for the faint hearted either.<br/><br/>Don't expect a rehash or even the Universal Soldier you fell in love with and you may be surprised by this basic, dark, testosterone injected ride.<br/><br/>Now somebody needs to remake 1987's cheese-fest Dead Prey with Adkins as the lead. There's something perversely fascinating about helmer John Hyams' freewheeling yet deliberately paced mashup of noirish mystery, splatter-movie intensity, first-person-shooter vidgame and "Apocalypse Now"-style surrealism. Not at all. Popular misconception is that Universal Soldiers are cyborgs. They are revived organisms, once dead and now 100% alive again. The regeneration process which makes them alive also affects their cellular/metabolic pattern to the point they can overheat and collapse if not properly refrigerated. Also, the process grants them with superhuman-like enhanced physical abilities like strength, speed and resistance to pain and damage. Yes. According to the director, Day of Reckoning is set several years after the events of Universal Soldier: Regeneration (2009). Both the sequels follow the first 1992 feature film but overlook Universal Soldier: The Return (1999). The Return is still in continuity, but largely ignored (events not mentioned). No. The TV spin-off sequels Universal Soldier II: Brothers In Arms (1998) and Universal Soldier III: Unfinished Business (1999) were jointly produced for Showtime and The Movie Channel as a miniseries meant as a backdoor pilot for a TV series. They aren't. He appears old because he is old. UniSols age like common beings. Cryogenized bodies from sixties were used to create UniSols, that's why Luc Deveraux (<a href="/name/nm0000241/">Jean-Claude Van Damme</a>) died in 1969 and was resuscitated in the early nineties as Universal Soldier. UniSols cannot feel pain, but they can be hurt, they age and most importantly they can be killed. Yes, from August 21st to September 13th it was screened in RealD 3D in seven big cities in Germany. Magnet Releasing distributed this film on-demand in theaters. The uncensored version of the film got the infamous NC-17 rating by the Motion Picture Association of America (MPAA), which is rare in the action sector anyway and especially in the last few years. Though Hyams himself declared that he was contractually obligated to deliver an R-rated version (for brutal bloody violence throughout, strong sexual content, graphic nudity, and language) for the theatrical release, he didn't rest to mention in interviews that he thinks of the uncensored, harder version as the superior one. The American DVD and Blu-ray disc does not contain the NC-17 version. Instead, they contain the R-rated cut which was previously shown in cinemas and on-demand. All the more pleasant is the fact that this won't be a worldwide case since the Austrian Blu-ray/DVDs do contain the NC-17 version. The latter runs approximately 33 seconds longer than the R-rated version. The German Blu-ray/DVD available at Amazon.de, is censored for violence for several minutes. The fully uncut NC-17 cut can be bought on Blu-ray/DVD here. 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